Welcome to Leah's Art and Antique House
Exquisite Snuff Bottles: A Timeless Treasure for Collectors and Connoisseurs
Welcome to our art and antique house, where we offer a stunning collection of handcrafted and intricately designed snuff bottles. Our collection features exquisite pieces that showcase the beauty and craftsmanship of traditional Chinese art. Each bottle is unique, with its own story to tell, and is a perfect addition to any collection or a thoughtful gift for a loved one. Come and explore our collection and discover the beauty and elegance of snuff bottles.
Experience the Artistry of Ancient China with Our Exquisite Snuff Bottles
The snuff bottles are carefully handcrafted by skilled artisans, using a variety of materials such as glass, porcelain, coppers, silvers, and precious stones, including jades. Each bottle is intricately designed and decorated, making them a perfect addition to any collection or as a unique gift for someone special. Whether you’re a collector, a connoisseur of Chinese art, or simply appreciate the beauty and craftsmanship of these exquisite bottles, we invite you to explore our collection and discover the perfect snuff bottle for you.
some FACTS about the snuff bottles
~Snuff bottles were introduced during the Qing dynasty, rising in popularity in the year 1644 during the reign of ShunZhi, but were not yet present during the early Qing dynasty.
~The golden era of snuff bottles occurred during the reigns of KangXi, YongZheng, and QianLong, three emperors who ruled for almost 133 years from 1662 to 1795 in the mid-Qing period. During QianLong’s reign, many snuff bottles were sold to the western world. However, during the late mid-Qing period, which marked the end of QianLong’s reign, the popularity of snuff bottles began to decline.
~The late-Qing period saw the reigns of JiaQing, DaoGuang, QianFeng, TongZhi, GuangXu, and XuanTong, for a total of 116 years.
~Snuff bottles were still made after the end of the Qing dynasty in 1911 during the Republic of China (RoC) era. From 1949 onward, the People’s Republic of China (PRoC) came into existence.
~During the 1960s to 1980s, thousands of snuff bottles were made and repaired for the western world in order to earn foreign currency in the 19th to 20th centuries.
~A snuff bottle may have several similar designs or patterns.
~The value of a snuff bottle depends on its crafted art and design, sometimes more than its age.
~The importance of a snuff bottle lies in the bottle itself, as its top or cap, spoon, and any accompanying accessories can be replaced.
~Snuff bottles are classified into five categories of materials: glass and inner paintings(late-Qing), jades and gems, like agates, porcelain, silver and copper, and organic materials.
~”Another reason why snuff bottles are collected is because they integrate various antique materials from Chinese culture spanning over 5000 years. This means that in a snuff bottle, you can see a variety of materials being used, all of which have been used in the past throughout history.”
~So, when you collect snuff bottles, you not only appreciate their intricate designs and craftsmanship, but also the rich history and culture they represent.
~Many collectors seek to acquire old and antique snuff bottles. If you are a collector, you can add antique and old snuff bottles to your collection. If you are a new collector, you can confidently purchase from Leah’s House and learn from us.
Thank you for visiting Leah’s Art and Antique House! We are delighted to present our collection of snuff bottles through the auctions. We have been entrusted by an anonymous collector who wishes to share over a thousand snuff bottles with enthusiasts and collectors like you. Stay tuned for upcoming auctions and updates!
The anonymous collector has two main motivations for auctioning his snuff bottles collection. Firstly, he desires to see where his cherished collection finds its new home during his lifetime. Secondly, he wants to provide more individuals with the opportunity to appreciate and learn about these remarkable artifacts. This presents experienced collectors with the chance to expand their collections while providing a safe and educational environment for newcomers.
However, it is important to note that Leah’s Art and Antique House does not bear responsibility for authenticating the age and description of each snuff bottle auctioned. We reserve the right to disclaim any legal liability responsibility in this regard. While experienced collectors may occasionally make mistakes in authentication, the final decision lies with the bidder. Nonetheless, we strive to provide comprehensive explanations and information about each snuff bottle based on the knowledge and expertise shared by the anonymous collector. We strongly advise bidders to carefully examine the provided photographs of the auctioned snuff bottles. Any explanations provided could serve as documentation for the respective snuff bottle, and it is the bidder’s responsibility to make their own assessments.
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This is a copper-bodied enamel snuff bottle with a landscape painting. (1)The bottom mark indicates that it was made during the Qianlong period, and the blue glaze with a white base is also characteristic of this period. (2)On one side of the snuff bottle, women are depicted waiting for their husbands’ fishing boats to return, with a thatched pavilion, representing the ordinary people. (3)On the other side, scholars are leisurely playing chess, and travelers are resting in a magnificent pavilion, representing the literati and aristocrats. (4)The message conveyed by this painting is the peaceful and prosperous life of the people during the mid-Qing period, when the world was peaceful and tranquil.
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The porcelain painting depicts a vivid scene of a green dragon gracefully soaring through the clouds while playing with a ball. The green dragon possesses considerable power among the various types of dragons. It is also known as the azure dragon and represents the spring season, symbolizing the growth of plants and the revival of all living beings. It is closely associated with natural phenomena and signifies the sprouting of flowers and plants in spring. The azure dragon is considered an auspicious creature. This piece is marked with a red glazed base, indicating it was made during the reign of Emperor Daoguang. Four character seal marked in iron red, DaoGuang (1821-1850年).
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This is a glass snuff bottle imitating the color of ruby, (1)with a double-eared handle and auspicious animal design. (2)There is hardened snuff powder residue inside, indicating that it was previously used. (3)The color of ruby looks very beautiful and noble under the light, and this piece may be from the late-mid Qing period.
This is a cloisonné enameled copper snuff bottle, depicting a Western woman in its painting. The woman has bright eyes and is dressed in classical clothing, with lush trees and flowers as the background. This snuff bottle was likely made around the time of the RoC or after that period.
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This is a love-themed snuff bottle (1)featuring a common and simple morning glory on one side, which represents plain and unadorned love. It grows well on the roadside without special care, symbolizing the spirit of perseverance and resilience. (2)On the other side is the azalea flower, which symbolizes “forever belonging to you” and is very suitable as a gift between lovers to express love and loyalty. The azalea also represents the prosperity and friendship between nations and the longing for family. (3)The shoulder of the bottle is adorned with intertwined lotus patterns, a common design in copper-wire cloisonné enamel, representing continuity and auspiciousness. The lotus flower grows out of the mud without being tainted, embodying the spirit of loyalty and simplicity. (4)The neck of the bottle is decorated with banana leaf patterns, a design popular during the Yuan, Ming, and Qing dynasties, symbolizing unity, friendship, and the perseverance of life. (5)The base is decorated with Jingtailan, a type of Ming dynasty enamel, which was widely used during the period of copper-wire cloisonné enamel. The Jingtailan mark has become synonymous with this type of work. Possible mid-Qing Dynasty.
This is a round-shaped snuff bottle with a gourd-like neck, which is a gourd(葫蘆hu lu) homophone for “fortune and prosperity(福祿fu lu)” in Chinese, representing good luck and longevity as well as wealth and prosperity. (1)The elephant pattern on the bottle represents auspiciousness and can bring good fortune to people. It symbolizes the unity of the world and peace; the upward-facing trunk of the elephant also implies that the elephant is drawing wealth from the sky. (2)The bottle body also features intertwined lotus patterns, a design commonly seen in copper-wire enamel painting, symbolizing continuity, vitality, and purity. (3)The background of the elephant is decorated with banana leaves, and the pattern on the bottom of the bottle is also that of a banana leaf. The banana leaf pattern has a long history and was popular in the Yuan, Ming, and Qing dynasties. It symbolizes unity, friendship, and perseverance, as well as the vitality of life. The combination of the elephant and the banana leaf creates a seamless and perfect picture. Possible mid-Qing Dynasty.
“Bats蝙蝠” in Mandarin pronunciation is the same “fu福” (meaning good luck and blessings). The combination of five bats surrounding the character for “longevity(shou寿)” forms a traditional auspicious pattern known as “五福捧寿Wufu Pengshou(five fu hold shou),” which is widely circulated in Chinese folklore. The character “longevity” is also depicted within nine flowers, including chrysanthemums, which symbolize auspiciousness and longevity. It likened to individuals with noble character, representing their detachment from worldly corruption. Peonies symbolize good luck, prosperity, purity, loyalty, and thriving success. Lotus flowers, signify the ability to rise above the mire and maintain nobility. The nine “longevity” characters, with “nine (jiu九)” sounding similar to “long-lasting(jiu jiu久久),” symbolize abundant blessings and enduring longevity. The blooming of hundreds of flowers represents the beauty of spring at every moment. The snuff bottle contains hardened tobacco powder and bears the four-character mark of the Kangxi Emperor’s imperial usage. Late Qing or RoC.
Although flower-and-bird paintings depict flowers and birds in nature, their essence lies in portraying humans. This is because plants and trees are devoid of emotions, and emotions can only come from the artist—the one who possesses emotions, human emotions. “Birdsong and Fragrant Flowers” is a description and longing for the beauty of nature, as well as people’s love and yearning for nature. Birds are not only friends of humanity but also symbols of a beautiful ecological environment and harmonious coexistence between humans and nature. “Birdsong and Fragrant Flowers” represents the original intention and pursuit of environmentalists. Birds singing and flowers exuding fragrance are used to describe the beautiful scenery of spring. Yellow represents the emperor, a color associated with nobility and reverence. Here, it should be mentioned that after the PRoC period, there were many beautiful enamel-painted glass snuff bottles that were created by the renowned inner-painting artist Wang Xisan in his early career. If confirmed, such bottles would also be rare and highly sought after. Marked GuYueXuan.
The simultaneous blooming of numerous flowers, in various shades of colors, represents a rich and colorful sight. It is often used to describe the arrival of spring, symbolizing prosperity and a bright future, bringing joy and happiness. The phrase “百花齐放” (literally “hundred flowers blooming”) also conveys the idea of abundant variety and diversity. In a broader context, it is used to describe the free development of various forms and styles of art, representing the thriving scene in the art world. It can also refer to different approaches to the same matter, diverse forms of the same content, or various varieties within the same category. Here, it should be mentioned that after the PRoC period, there were many beautiful enamel-painted glass snuff bottles that were created by the renowned inner-painting artist Wang Xisan in his early career. If confirmed, such bottles would also be rare and highly sought after. Four characters marked Qianlong.
Snuff bottles crafted to float on water are primarily made of agate, precious artifacts from the Qing Dynasty. The intricate workmanship involved in carving such small bottles is exceptionally complex and challenging, especially without advanced tools. Firstly, the inner chamber must be hollowed out to be extremely thin, using a curved-tipped carving needle as the tool. During the hollowing process, a small hole is initially created, and then the chamber is carefully excavated bit by bit, with adjustments made to the pressure and bending angle as needed. Subsequently, diamond dust is poured into the bottle, and through high-speed rotation, the diamond dust strikes against the inner walls of the bottle, repeatedly grinding and polishing it. This process requires at least five different grades of diamond dust, starting from coarse to fine. Even a slight mistake can lead to the bottle breaking. Ultimately, the walls of the bottle become so thin that they are nearly transparent, allowing one to see through the chamber from the outside. The patterns on this particular piece of agate resemble the stripes found on a tiger’s skin.
Snuff bottles crafted to float on water are primarily made of agate, precious artifacts from the Qing Dynasty. The intricate workmanship involved in carving such small bottles is exceptionally complex and challenging, especially without advanced tools. Firstly, the inner chamber must be hollowed out to be extremely thin, using a curved-tipped carving needle as the tool. During the hollowing process, a small hole is initially created, and then the chamber is carefully excavated bit by bit, with adjustments made to the pressure and bending angle as needed. Subsequently, diamond dust is poured into the bottle, and through high-speed rotation, the diamond dust strikes against the inner walls of the bottle, repeatedly grinding and polishing it. This process requires at least five different grades of diamond dust, starting from coarse to fine. Even a slight mistake can lead to the bottle breaking. Ultimately, the walls of the bottle become so thin that they are nearly transparent, allowing one to see through the chamber from the outside. This piece is made of shadow agate. Shadow agate is a special type of agate that exhibits a unique shadow effect in its patterns, creating a deep and mysterious impression.
We cannot use the current methods of evaluating jade to assess old/antique jade. Antique jade is the result of craftsmanship and has undergone hundreds of years of aging. Snuff bottles were utilitarian items used to hold tobacco powder, so antique jade snuff bottles have the added layer of being touched by hands every day. Antique jade works are rare and hard to come by, as they are unique pieces that are becoming increasingly scarce. Jade itself holds inherent value and is precious and rare. This snuff bottle is made of plain jade, meaning the jade body does not have any carved patterns. This showcases the natural beauty of the jade, primarily emphasizing its purity without any external additions of jade color patterns. Otherwise, if there are existing jade color patterns, they would be incorporated into the carving. It is a beautiful golden-colored plain jade that resembles the ripe and sweet color of a pineapple, giving a sense of abundance and moisture. Any jade collector who appreciates jade should not miss out on this antique jade piece. Late mid-Qing to late Qing.
We cannot use the current methods of evaluating jade to assess old/antique jade. Antique jade is the result of craftsmanship and has undergone hundreds of years of aging. Snuff bottles were utilitarian items used to hold tobacco powder, so antique jade snuff bottles have the added layer of being touched by hands every day. Antique jade works are rare and hard to come by, as each piece is unique and becoming increasingly scarce. Jade itself holds inherent value and is precious and rare. This snuff bottle is made of plain jade, meaning the jade body does not have any carved patterns. This showcases the natural beauty of the jade, primarily emphasizing its purity without any external additions of jade color patterns. Otherwise, if there are existing jade color patterns, they would be incorporated into the carving. This is a beautiful white plain jade, resembling a bright light bulb when illuminated, with no internal patterns and exceptionally clean and beautiful. Any jade collector who appreciates jade should not miss out on this antique jade piece. Late mid-Qing to late Qing.
We cannot use modern methods of evaluating jade to assess antique jade. Antique jade is the result of craftsmanship and has undergone hundreds of years of aging. Snuff bottles were utilitarian items used to hold tobacco powder, so antique jade snuff bottles have the added layer of being touched by hands every day. Antique jade works are rare and hard to come by, as each piece is unique and becoming increasingly scarce. Jade itself holds inherent value and is precious and rare. This snuff bottle belongs to Hetian jade seed material. There are three precious aspects to this piece. Firstly, Hetian jade is already a highly valuable and rare type of jade, especially when it is an antique piece. Secondly, this jade has a skin-like layer, which is a special color formed through the collision with river soil and rocks. Only Hetian jade exhibits this characteristic. Lastly, the patterns on the skin layer, resembling a monkey or a horse, are exceptionally beautiful, adding another layer of value known as “ya shi雅石(natural rock grain)” appreciation. Any jade collector who appreciates jade should not miss out on this antique jade piece. Late mid-Qing to late Qing.
Coal
jade, also known as jet, is formed when ancient tree remains submerged in water
and buried in layers of the earth for millions of years. It is the highest
grade of coal and is also referred to as black amber (although it is not
actually amber because it does not originate from tree resin). It typically
appears black or dark brown and exhibits a metallic luster when polished,
making it a black organic gemstone. One way to identify jet is by its ability
to draw chocolate-colored streaks. Late Qing or RoC.
Coal jade, also known as jet, is formed when ancient tree remains submerged in water and buried in layers of the earth for millions of years. It is the highest grade of coal and is also referred to as black amber (although it is not actually amber because it does not originate from tree resin). It typically appears black or dark brown and exhibits a metallic luster when polished, making it a black organic gemstone. One way to identify jet is by its ability to draw chocolate-colored streaks. Late Qing or RoC.
The color of the small snuff bottle is as yellow as steamed corn kernels. Yellow is representative of the color associated with imperial royalty. Late Qing or RoC.
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This is an old jadeite piece with malachite cap. When appreciating antique jade, its value cannot be measured by modern standards. In ancient times, jadeite was simply regarded as jade, without the complex methods of appraisal used today. The carving features a mountain, two deer, and lingzhi mushrooms. The skilled craftsman creatively carved the lingzhi mushrooms on the tree, creating the image of a pine tree, as it is commonly associated with mountains. These patterns hold beautiful meanings within them. “Pine” in the “Pine, Deer, and Lingzhi” design symbolizes longevity, representing the evergreen pine as a metaphor for longevity. Lingzhi mushrooms are considered the food of the immortals, associated with longevity. Deer, known for their spirituality, accompany the elder of longevity. According to legend, during the early days of Buddha, he preached to the deer, there were often sculptures of “Two Deer Listening to the Scriptures” on the roofs of Tibetan temples, depicting this story. During the Tang Dynasty, lingzhi mushrooms and deer frequently appeared in various auspicious patterns. Late Qing or RoC.
The snuff bottle is made using various materials, and this one appears to be a practical snuff bottle that resembles green jade. Its material is likely Green Aventurine. When illuminated by light, it exhibits a clear and beautiful color. The cap is red jasper. Late Qing or RoC.
Moss agate is a rare form of chalcedony gemstone composed of silicon dioxide. It features green-colored minerals embedded in the stone, creating patterns resembling moss. These agates are highly prized for their unique beauty. The name “moss agate” comes from the moss-like appearance created by the deep green mineral inclusions within the gemstone. Late Qing or RoC.
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Fossil Jasper gemstones are a captivating variety of agate and chalcedony that have formed through the replacement of prehistoric coral structures. They are commonly referred to as fossil coral or agatized coral. Fossil Jasper is believed to possess healing properties, helping to alleviate certain physical ailments and facilitate positive transformations. 19th Century.
Ocean Jasper is an exceptionally rare mineral that is exclusively mined in a single location worldwide—the Marovato Mine, situated on the Ambolobozo Peninsula in the northwest corner of Madagascar. It derives its name from its coastal deposits, which can solely be accessed by boat and extracted solely during low tide. 19th Century.
Purple fluorite exhibits a cubic crystal structure, characterized by cube-shaped crystals featuring sharp edges and corners. On the other hand, amethyst displays a hexagonal crystal structure, showcasing elongated crystals with six-sided shapes. Consequently, if you come across crystals that are cube-shaped and possess sharp edges and corners, they are more likely to be purple fluorite. 19th Century.
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Rainbow fluorite, as a multi-colored stone, has the ability to harmonize and energize various chakras while dissipating emotional trauma. It is commonly used to cleanse energy fields and is believed to enhance and strengthen the abilities of other crystals. As a healing stone, it is said to increase mystical vision, promote spiritual balance, and enhance intuition. 19th Century.
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This citrine crystal carving depicts a vivid and lifelike dragon with five claws. It has a tiger’s eye stone cap and a silver spoon. A high-quality, transparent crystal with excellent clarity. 19th Century.
This smoky crystal carving depicts a squatting horse, with even its teeth clearly visible. The snuff bottle, with a thinly hollowed well, serves as a practical container, but it is not surprising that it can also be used as a decorative ornament since many late mid-Qing export porcelain pieces were intended for aesthetic enjoyment. Only crystal can truly showcase the beauty of this horse snuff bottle carving. Similar pieces are not very common and are hard to come by. 17th-18th Century.
This piece is a creation from the Yangzhou School, which was a production center outside the Qianlong Imperial Court. Due to the economic prosperity and high demand for various luxury items in the court, additional workshops were established outside the palace to meet the demand. This snuff bottle is one of those creations. During the late mid-Qing Dynasty, it was considered a golden age, and snuff bottles from this period exhibit exquisite craftsmanship.
This finely carved snuff bottle features distinct patterns, with intricate carvings that create a clear and layered effect. The glaze color is harmonious and well-matched. A rare and beautiful snuff bottle relies heavily on the skill of its craftsmanship, particularly when it comes to snuff bottles used by the imperial court or wealthy individuals. The craftsmanship must be impeccable. In the Qing Dynasty, a snuff bottle was a symbol of a person’s social status.
The significance of silkworms eating mulberry leaves: Silkworms are considered friends of humanity, symbolizing the admiration for diligent, dedicated, and intelligent individuals. In ancient literature, metaphors using silkworms were common, reflecting their presence in various forms of artistic creation. The famous line by Tang Dynasty poet Li, ShangYin, “When the spring silkworms die, the silk is exhausted, and the candle’s flame turns to ashes, tears begin to dry春蚕到死丝方尽，蜡炬成灰泪始干.” vividly depicts the noble nature of silkworms and has become an everlasting verse praising the nation. Silkworms eat mulberry leaves and produce silk, which is then used to weave silk fabric—a highly valuable item for humanity. Silkworms play an indispensable role in people’s livelihoods and are greatly cherished. Red cat’s eye stone cap. 17th-18th Century.
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The five bats(bat 蝙蝠”fu” pronunciation is the same like 福“fu” means abundance of blessings) often surround the character “寿” (shòu) longevity in a customary practice known as “五福捧寿” (wǔ fú pěng shòu means five “fu” surrounded “shou”), which symbolizes abundance of blessings and longevity. In the book “Hongyuan,” it is mentioned, “The five blessings are: longevity, wealth, health and peace, cultivation of virtuous deeds, and a peaceful end to life.” “Cultivation of virtuous deeds” refers to pursuing virtuous actions, while “a peaceful end to life” signifies a good and natural end without premature death. The bat motif is commonly found on porcelain ware from the Qing Dynasty’s official kilns. It is often combined with other decorative patterns to create auspicious designs. 19th century.
The decoration of butterflies surrounding the character “喜” (xi) happiness is a common practice. In Chinese culture, butterflies symbolize auspiciousness, beauty, freedom, happiness, and good fortune. The delicate and colorful wings of butterflies represent beauty and the ability to undergo transformation. Butterflies also symbolize change and rebirth, as they go through the stages of caterpillar, chrysalis, and adult butterfly.
When butterflies surround the character “喜,” their imagery harmonizes with the meaning of the character. The character “喜” represents joy and auspiciousness, while the fluttering and beauty of butterflies add an atmosphere of celebration and happiness to festive occasions. The decoration of butterflies around the character “喜” is commonly used in weddings, anniversaries, and other celebratory events to express blessings and well wishes.
Moreover, when the characters “喜” are craved both sides of the snuff bottles, they form the character doubles “囍” (xi), which represents double joy, happiness, auspiciousness, and blessings. It signifies the concept that good things come in pairs. 17th – 18th century.
Glass imitation Shadow Agate Snuff Bottles. Shadow Agate is a variety of agate that exhibits a unique play of light and shadow within its translucent or semi-translucent structure. It typically has alternating layers of dark and light colors, creating an intriguing visual effect resembling shadows. This natural pattern gives the stone its name. This particular snuff bottle is a glass imitation of Shadow Agate and was likely produced in the 18th to 19th century.
This snuff bottle contains hardened snuff powder that ossified, and the clumps are quite large. This is the result of aging over the years, giving the bottle a historical significance and proving its functionality. Shadow Agate is a variety of agate that exhibits a unique play of light and shadow within its translucent or semi-translucent structure. It typically has alternating layers of dark and light colors, creating an intriguing visual effect resembling shadows. This natural pattern gives the stone its name. This particular snuff bottle is estimated to be from the 17th to 18th century.
周乐元（Zhou Leyuan） was one of the four great masters of late Qing dynasty, known for his exceptional skills in the art of inner painting snuff bottle. The exact dates of his birth and death are unknown. His inner paintings, whether in the form of painting or calligraphy, exude an elegant, fresh, and naturally beautiful artistic enjoyment, without any sense of artificiality. His depictions of flowers, birds, plants, and insects are executed effortlessly, appearing vivid and lifelike, accompanied by the sounds of birds singing and insects chirping, brimming with interest. This snuff bottle painting was created in the year of Gui Si(癸巳), which corresponds to 1893 in the reign of the year of nineteen Emperor GuangXu. It is believed to be one of Zhou Leyuan’s late or pinnacle works.
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Xue Shaofu(薛少甫) was a renowned master of inner painting on snuff bottles during the late Qing dynasty and early Republic of China(RoC) period. In the book “The Collector’s Book of Snuff Bottles” by Bob C. Stevens, published in 1976, Xue Shaofu is mentioned as an inner painter. The collection of glass snuff bottles at the Chongqing China Three Gorges Museum includes a mention of Xue Chengcai(薛成彩), the son of Xue Shaofu. One of the paintings depicted on the snuff bottles is titled “A hundred children playing together,” while another possibly depicts Yue Fei(岳飞) listening to his mother’s advice to serve the country, which gave rise to the famous proverb “Loyalty to the country.”
This glass snuff bottle with inner painting does not have a signature from the inner painter. Based on its style, it is believed to be a late Qing dynasty work. It is a rare find as it is an old square-shaped interior-painted snuff bottle, and its value as a collectible is unquestionable. During that time, there was a high demand for interior-painted snuff bottles, both for domestic use and for export to earn foreign exchange. Many master painters also took on apprentices to pass down their skills. It is speculated that some of the apprentices, after becoming proficient in painting, would sign their own names on the artwork if they believed it could represent their master’s intentions. This particular piece might have been overlooked in that regard. Nonetheless, the interior painting beautifully depicts scenes of social interactions among mothers, children at play, and the serene tranquility of nature with birds chirping and flowers blooming. Additionally, the snuff bottle’s cushion is custom-made from hardwood to fit its size and shape.
In traditional Chinese culture, the color red is most beloved and even serves as a cultural totem and spiritual symbol. It represents celebration, vitality, success, joy, and auspiciousness. On the other hand, white symbolizes justice, purity, dignity, honesty, youthfulness, and detachment from worldly emotions. It represents purity and signifies sacredness and elegance. White is the easiest color to match with other colors and is generally favored in Western countries. The snuff bottles carved with butterfly and floral motifs, forming a beautiful pair. The work from the 18th to 19th century.
China glassware reached its peak during the Qing Dynasty. Emperor Kangxi (1662-1722 AD) played a significant role in promoting the glass industry by decreeing the establishment of glass factories. Father Kilian Stumpf, a German Jesuit missionary (1655-1720 AD), was a key figure in founding the glass factory in the Qing Palace. While glass may not be considered particularly valuable today, it held great importance during the Qing Dynasty. It was during the reign of Emperor Qianlong that glassware entered its golden age. However, glass remained a luxury item mainly for the imperial court and nobility. Snuff bottles, were treasured possessions used to hold powdered tobacco. Many glass snuff bottles were crafted to imitate various gemstones to meet the demands of the aristocracy. This particular bottle is a glass imitation of coral, indistinguishable from the real thing. It has a double-shoulder design with auspicious animal faces, making it a very beautiful piece of art. It is estimated to be from the 18th to 19th century.
The glass craftsmanship in China reached its zenith during the Qing Dynasty. Emperor Kangxi (1662-1722) issued an order to establish glass factories, which played a pivotal role in the development of the glass industry. Father Kilian Stumpf, a German Jesuit missionary (1655-1720), was a key figure in the establishment of the glass factory in the Qing Palace. While glass may not be considered particularly valuable today, it held great significance during the Qing Dynasty. It was during the reign of Emperor Qianlong that glass craftsmanship entered its golden age. However, glass remained a luxury item primarily for the imperial court and the aristocracy. Snuff bottles were precious possessions of that era and were used to hold powdered tobacco. Therefore, many glass snuff bottles were crafted to imitate various gemstones to meet the demands of the noble class. This particular snuff bottle is a glass imitation of chicken-blood red mineral, or red jasper, nearly indistinguishable from the real stone. The bottle has a small spout and is an exceptionally beautiful piece of art. It is estimated to be from the 18th to 19th century.
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The famille rose porcelain molded Liu Hai, a string of coins, and a golden toad snuff bottle. This story of Liu Hai playing with the golden toad has been passed down among the people in China. It originated from Liu Hai using a string of coins to lure the golden toad. Afterwards, he distributed the coins from the toad’s mouth to the mortal world as alms, and they kept coming. Liu Hai playing with the toad has always been regarded as an auspicious symbol of attracting wealth and good fortune. In addition, some say that Liu Hai symbolizes a child with short hair, representing the presence of children and thus wealth in ancient times. Regardless of the interpretation, Liu Hai, the coins, and the golden toad all symbolize the continuous flow of wealth and the enjoyment of blessings. The lid is made of vintage jadeite. This artwork belongs to the Tongzhi period and was created around the 18th to 19th century.
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The squirrel is an incredibly adorable small animal, and it is also considered a symbol of auspiciousness and luck due to its highly prolific nature. The pine tree represents longevity, and the Chinese zodiac sign for the squirrel is the Rat, which symbolizes wealth. As a result, squirrels are widely depicted in various forms of artwork. The symbolism of pine cones is also beautiful, representing luck, auspiciousness, and the harvest of peace and joy. They are the fruit of the long-lived pine tree, symbolizing health and longevity. The snuff bottle is famille rose molded works of art from the 18 to 19th century.
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The squirrel is an incredibly adorable small animal, and it is also considered a symbol of auspiciousness and luck due to its highly prolific nature. The pine tree represents longevity, and the Chinese zodiac sign for the squirrel is the Rat, which symbolizes wealth. As a result, squirrels are widely depicted in various forms of artwork. The symbolism of pine cones is also beautiful, representing luck, auspiciousness, and the harvest of peace and joy. They are the fruit of the long-lived pine tree, symbolizing health and longevity. The snuff bottle is famille rose molded works of art from the 18-19th century.
The red dragon symbolizes good luck. For this reason, this symbol is highly popular in weddings and other celebratory events to encourage happiness and good fortune. The works approximately the 20th century.
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This famille rose porcelain snuff bottle is painted with a battle scene. Elephants were already used in warfare during the Shang and Zhou dynasties, making China one of the earliest countries to engage in elephant warfare. This artwork is estimated to be from the 19-20th centuries.
The term “Nine Buddhist Lions” typically refers to a specific motif or design featuring nine lion-like creatures commonly found in various forms of artwork, including snuff bottles. These lion-like creatures are often depicted in a playful or dynamic pose and are associated with Buddhism and Chinese culture. In Buddhist symbolism, lions are regarded as powerful and majestic animals representing strength, courage, and protection. They are also seen as guardians of the Dharma, the teachings of Buddha. The number nine holds significance in Buddhism as well, symbolizing completeness and perfection. The depiction of “Nine Buddhist Lions” in snuff bottles and other artworks is believed to bring auspiciousness, good fortune, and protection to the owner. It is considered a symbol of positive energy, strength, and blessings, and it is highly valued among collectors and those who appreciate Buddhist and Chinese art. Four-character Qianlong reign marked, probably 17-18th century art work.
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This small blue and white snuff bottle is called a “plum-shaped vase” in its form. “Underglaze red and blue” is a decorative technique used in porcelain. Hua Mulan is a famous legendary figure in China. She is a brave and strong female character. According to the legend, Hua Mulan takes the place of her elderly father in the army, disguising herself as a man and concealing her true gender. She performs remarkably in the army, fighting courageously and earning high acclaim. Hua Mulan’s story highlights her resilience, bravery, loyalty, and selfless dedication to her family and country. She has become a heroic symbol in Chinese culture, representing the power and unwavering qualities of women. The story of Hua Mulan is widely celebrated and depicted, making her a beloved and respected cultural icon. The snuff bottle bears a six-character mark from the Kangxi period of the Qing Dynasty. It is estimated to be from the 18-19th century.
“Hundred Children Painting” is an ancient painting genre that depicts vivid scenes and lively images of numerous children. (1) the Hundred Children Painting showcases the innocence and joy of children, bringing a sense of happiness and delight to people. (2) it reflects the social and familial life of ancient times, showcasing customs, educational beliefs, and family relationships. The Hundred Children Painting holds high artistic skills and artistic value, making it a cultural heritage sought after by collectors and cherished for its inheritance. Many children are depicted in white porcelain snuff bottle paintings, symbolizing the concept of Hundred Children. These artworks are estimated to be from the 18th to 19th century. The label stickers were introduced after the establishment of the People’s Republic of China(PRoC) and are used to record and sell various overseas items. They are sold through state-owned antique shops. These labels also hold historical significance.
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During the Tang Dynasty, there were two individuals who rode donkeys and became interesting and culturally significant subjects in later artistic and literary works. One was the scholar-official Meng Haoran, and the other was the immortalized Zhang Guolao, one of the Eight Immortals. Meng Haoran riding a donkey represented a lifestyle choice for poets of that time. It embodied their values and perspectives, living a simple and virtuous life detached from worldly pursuits. On the other hand, Zhang Guolao observed the moral decline of humanity, as people became obsessed with fame and fortune, mistakenly believing that life was improving. In response, he rode a donkey backward, symbolizing his transcendence of worldly concerns. He represents longevity and immortality, aiming to continue enlightening and inspiring people to perform good deeds and accumulate virtuous merits. This snuff bottle bears a six-character mark from the Kangxi reign of the Qing Dynasty, and it is estimated to date back to the 18-19th century.
The intertwined branch and flower pattern, is a common decorative motif in blue and white porcelain. This pattern typically consists of spiraling branches and flowers, creating a continuous design. It symbolizes: (1) Prosperity and wealth. (2)Nature and vitality: The depiction of plant branches and flowers in the intertwined pattern showcases the vitality and life force of the natural world. (3)Harmony and beauty: The design and composition of the intertwined branch and flower pattern are often intricate and symmetrical, presenting a sense of harmonious beauty. It conveys messages of prosperity, wealth, vitality, and the beauty of harmony. It is a commonly seen and beloved pattern in the art of blue and white porcelain. The label stickers were introduced after the establishment of the People’s Republic of China(PRoC) and are used to record and sell various overseas items. They are sold through state-owned antique shops. These labels also hold historical significance. Roughly 18-19th century.
Yue Fei, in his childhood, diligently practiced martial arts, laying a solid foundation for his future as a great military leader. Born in a turbulent era and coming from a poor family, this national hero received support from his fellow villagers and sought out a renowned martial arts teacher named Zhou Tong in Shaanxi to begin his martial arts training. Whether in the harsh cold of winter or the scorching heat of summer, Yue Fei persevered in his rigorous training. Under the careful guidance of Master Zhou Tong, he eventually mastered the martial skill known as “Yue Family Spear.” Yue Fei’s childhood experience in martial arts laid a strong foundation for his future and marked the beginning of his remarkable journey as a distinguished military leader who would go on to save the country. This blue and white snuff bottle is estimated to be from the 19th to 20th century.
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This is a rare yellow glazed ink-printed dragon snuff bottle, possibly produced in Jingdezhen. The exquisite dragon pattern on the bottle body reveals the dragon’s free and elusive presence. The lid is beautifully carved from amber. Jingdezhen during the Qing Dynasty. It is a piece dating back to the 18th to 19th century.
“A golden-brown agate carved Liuhai, a string with coin, sitting with coins and a three-legged golden toad snuff bottle. This story originates from folklore and tells the tale of Liu Hai’s interaction with the golden toad. In the story, Liu Hai uses a string of coin to lure the toad, and afterward, he bestows the coins from the toad’s mouth as a charitable act to the mortal world, creating an endless flow of wealth. Playing with the toad has long been regarded as a symbol of good fortune and wealth attraction. Additionally, some believe that Liu Hai represents a child with short hair, symbolizing that having descendants means having wealth in ancient times. Regardless of the interpretation, Liu Hai, the coins, and the golden toad all symbolize the continuous flow of wealth and the enjoyment of happiness. The carving of the snuff bottle is extremely delicate and beautiful, using two layer colors of agate to highlight the carved motifs. It is possibly a Suzhou piece, and the lid is made of orange-colored tourmaline. The artwork dates back to approximately the 18th century.
The ‘Infant Play’ is a common traditional pattern in ceramic decorations, which first appeared in the Tang Dynasty. The Celadon brown color ‘Infant Play Holding Lotus Pattern with a Pot’ is an example. The snuff bottle is embossed with a depiction of a child holding a lotus, with a bat symbolizing good fortune(Chinese bat “蝙蝠BianFu” pronunciation is the same with “福 Fu” good fortune ). The child is wearing a waistcoat and holding a longevity peach, symbolizing the continuous growth and extension of life. The child’s eyes are looking forward, with a slightly raised chin, showcasing innocence and playfulness. Under the light, this beautiful golden yellow snuff bottle made of agate reveals the meticulous craftsmanship of the artisan, who spared no effort in engraving the best blessings and longevity on the bottle. The embossed pattern represents the agate’s clothing. It is estimated to be a work from the 18th century.
Chalcedony is distinct from crystal in that it is not as transparent and differs from jade in its texture. It possesses its own unique material and beauty. Sometimes chalcedony is referred to as a type of jade. In ancient times, chalcedony was commonly used for carving, decorative pieces, and jewelry, and it was highly regarded as a luxurious material cherished by many. Finding large, transparent chalcedony in raw materials is quite rare. This chalcedony snuff bottle is a beautiful creamy transparent color, and the lid is made of aged jadeite. It is an 18th-century piece.
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The art of cinnabar lacquer in Japan has a history of over few hundred years. However, the production of snuff bottles began during the late Qing Dynasty when trade and commerce with Western countries were established. Snuff bottles gained popularity during this period, leading to the creation of numerous snuff bottles with unique Japanese carvings. These exquisite pieces became sought-after items among collectors. This particular snuff bottle is adorned with a pattern of longevity and blooming flowers symbolizing wealth and prosperity. It is embellished with inlaid mother-of-pearl, while the leaves are crafted from jadeite. The wooden base is custom-made to fit the bottle perfectly. The craftsmanship is intricate and beautiful, representing a late Qing Dynasty or early Republican era work.